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Memphis Jug Band
The Memphis Jug Band was an American musical group active from the mid-1920s through the late 1950s.〔Charters, Samuel. ''The Blues Makers'', Da Capo Press, part II page 25 (1991) - ISBN 0-306-80438-7〕 The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard, washtub bass and jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial music recordings in Memphis, and recorded more sides than any other pre-war jug band.〔Dixon, Robert M.W., John Godrich and Howard Rye. "Blues & Gospel Records 1890-1943," 4th ed., page 611 (1997) - ISBN 978-0-19-816239-1〕
Beginning in 1926, various African-American musicians in the Memphis, Tennessee, area grouped around singer, songwriter, guitarist, and harmonica player Will Shade (also known as Son Brimmer or Sun Brimmer). The personnel of this jug band varied from day to day, with Shade booking gigs and arranging recording sessions. The band functioned as a training ground for musicians who would go on to success with careers of their own.
==Members==
Among the recorded members of the Memphis Jug Band were (at various times) Will Shade (harmonica, guitar, vocals), Charlie Burse (pronounced Bursey) (guitar, tenor guitar, vocals), Charlie Nickerson (vocals, piano), Charlie Pierce (fiddle), Charlie Polk (jug), Tewee Blackman (guitar, vocals), “Hambone” Lewis (jug), Jab Jones (piano, jug, vocals), Johnny Hodges/Hardge (piano), Ben Ramey (kazoo, vocals), Will Weldon (guitar, vocals), Memphis Minnie (guitar, vocals), Vol Stevens (vocals, fiddle, mandolin), Milton Robie (fiddle), Otto Gilmore/Gilmer (drums and woodblocks), and Robert Burse (washboard, drums). Vocals were also provided by Hattie Hart, Memphis Minnie, Jennie Mae Clayton (Shade’s wife), and Minnie Wallace. In the case of Memphis Minnie, the Memphis Jug Band accompanied her on two sides for Victor Records, recorded in 1930 during one of her first recording sessions. Some members also contributed to gospel recordings, either uncredited or as part of the Memphis Sanctified Singers. Their large membership pool allowed the Memphis Jug Band the flexibility to play a mixture of ballads, dance tunes, knock-about novelty numbers, and blues.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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